Audited ·Last updated 28 Jul 2026·5 citations·Tier 2·0 uses

Shutter Speed Calculator

Find the shutter speed that keeps a shot sharp. Combines the reciprocal hand-holding rule, CIPA stabilisation stops and a subject-motion blur limit.

Shutter Speed Calculator

What has to be sharp?
The focal length engraved on the lens, not the 35 mm equivalent. The crop factor below handles the format difference, so entering an equivalent here would apply it twice.
mm
Your camera's published focal-length multiplier: 1.0 for full frame and 35 mm film, 1.5 for Nikon DX (Nikon states "equivalent to approx. 1.5×"), 1.6 for Canon APS-C, 2.0 for Micro Four Thirds.
×
The CIPA-rated stops claimed for your body-and-lens combination. Enter 0 if there is none. Each stop doubles the tolerable exposure time — and buys nothing at all against a moving subject.
stops
How fast the subject is travelling across the ground. A brisk walk is about 3 mph, a club runner 12 mph, a road cyclist 20 mph, a car in town 30 mph.
Speed unit
Camera-to-subject distance in metres. This sets the magnification, and therefore how fast the subject's image sweeps across the sensor. Must be larger than the focal length.
m
Direction of travel
Measured on the sensor. 0.03 mm is about five pixels on a 24 MP full-frame sensor (5.9 µm pitch); 0.02 mm is roughly three. Tighten it for large prints, loosen it for web-sized output.
mm
Shutter speed needed
1/1442 s
The governing limit, written the way a shutter speed is spoken. Anything faster than this is fine; anything slower risks visible blur at the tolerance you set.
Dial this in
1/2000 s
What is costing you speed
Subject motion is the binding constraint. Freezing the subject needs 1/1442 s, which is 4.8× shorter than the 1/300 s hand-holding alone would allow — so stabilisation buys you nothing here.
Recommended exposure time
0.0007 s
Camera-shake limit
0.0033 s
Subject-motion limit
0.0007 s
35 mm-equivalent focal length
300 mm
Subject magnification
0.0081

Background.

This shutter speed calculator answers one question: how fast does the shutter have to be for this picture to be sharp? It is not an exposure calculator. Nothing here is a light level and nothing here is an EV — if you want to know how much light a given aperture, shutter and ISO collect, the exposure value calculator is the page you want. This one is about blur.

There are two entirely separate ways a photograph goes soft, and confusing them is the most common reason people dial in a shutter speed that does not work. The first is camera shake: your hands move, and because the lens projects an angle onto the sensor, that tremor smears across the frame in proportion to the focal length. The second is subject motion: the subject moves, and its image sweeps across the sensor at a speed set by the magnification, which depends on the focal length and the distance. These two limits scale with different things, they respond to different fixes, and only one of them can be helped by image stabilisation.

That last point is worth being blunt about, because marketing copy rarely is. CIPA, the industry body whose logo appears on the stabilisation claims printed on every lens box, defines the scope of its own standard in clause 3-1-2: image stabilisation "can be further classified into handheld blur correction and motion blur correction", and the standard "excludes applications for motion blur correction". A lens rated at five stops buys you five stops against your own hands. It buys you exactly nothing against a running child. This calculator shows both limits side by side, in every mode, so you can see at a glance which one is the constraint you actually have to solve.

The camera-shake side is the familiar reciprocal rule — shoot no slower than one over the 35 mm-equivalent focal length — with stabilisation stops applied on top. It is folklore with a physical skeleton, not a measured standard, and this page says so rather than dressing it up. The subject-motion side is real geometry: transverse magnification m = f/(u − f) turns ground speed into image speed, and dividing your accepted blur by that image speed gives the longest exposure you can get away with. Because you choose the blur tolerance yourself, the answer is honest about being a tolerance rather than a physical constant, and the page tells you how to pick one instead of hiding a circle-of-confusion convention in the code.

Below the widget you will find the two equations written out, a worked example computed by hand for a 200 mm lens on an APS-C body photographing a runner, the reason a subject travelling toward you is so much easier to freeze than one crossing the frame, why the marked speeds on a camera dial are not the numbers they claim to be, and an honest list of everything this model leaves out — rolling-shutter skew, shutter efficiency, the fact that a sprinter's hand moves several times faster than the sprinter, and the enormous variation in hand tremor between people and postures.

What is shutter speed calculator?

Shutter speed is the length of time the sensor or film is exposed to the image, and for sharpness purposes it is a race between two smears. Camera shake produces an angular smear: if your hand rotates the camera through a small angle θ during the exposure, the image displaces by roughly f·θ on the sensor, so a longer lens magnifies your tremor in direct proportion. That is the entire physical content of the reciprocal rule — the rule fixes a tolerable θ implicitly and says t ∝ 1/f. It was calibrated in the 35 mm film era for prints of a modest size, so on a crop sensor you multiply the focal length by the crop factor first, and on a high-resolution body inspected at 100 % it is optimistic. Image stabilisation moves either a lens group or the sensor to cancel that angular motion, and CIPA DC-X011 measures the benefit on a certified shaker table, expressing it in stops: one stop is one step in the APEX TV scale, which the standard illustrates as the difference between 1/1000 s (TV10) and 1/500 s (TV9). Each stop therefore doubles the exposure time you can hand-hold. Subject motion is a different geometry entirely. The subject's image moves across the sensor at v·m·sin φ, where v is the ground speed, m = f/(u − f) is the thin-lens transverse magnification and φ is the angle between the direction of travel and the optical axis. Only the perpendicular component smears, which is why a bird flying straight at the lens can be frozen at a shutter speed that would badly blur the same bird crossing the frame. Requiring the smear to stay inside an accepted blur diameter b gives t = b/(v·m·sin φ). Neither limit is a standard. ISO 516:2019 is the standard that governs shutters, and what it standardises is the timing: it "specifies the exposure-time markings for all types of shutters and their tolerances", covering shutters that "affect the control of exposure, motion-stopping ability and synchronization with a photoflash light source". It tells you what 1/500 on the dial is allowed to mean; it does not tell you when 1/500 is fast enough.

How to use this calculator.

  1. Choose what has to be sharp. Leave it on Both unless you are on a tripod (choose subject motion only) or your subject is genuinely stationary (choose camera shake only). Both limits are displayed either way — the dropdown only decides which one becomes the headline recommendation.
  2. Enter the focal length engraved on the lens in millimetres, then your sensor's crop factor separately. Do not enter a 35 mm-equivalent focal length: the crop factor field already accounts for the format, and entering an equivalent would apply the multiplier twice.
  3. Enter the CIPA-rated stops of stabilisation for your body-and-lens combination, or 0 if there is none. Manufacturers publish this figure; it is measured on a shaker table under laboratory conditions, so treating the claim as an upper bound and entering a stop less is a defensible habit.
  4. Describe the subject's movement: its ground speed and unit, how far away it is in metres, and the direction it is travelling relative to your lens axis. The direction matters more than most people expect — switching from across-the-frame to 45° buys you a full half-stop.
  5. Set the blur you will accept, measured on the sensor. 0.03 mm is about five pixels on a 24 MP full-frame sensor and is a sensible default for prints and screen viewing. Halve it if you intend to inspect the file at 100 % or print large.
  6. Read the headline recommendation, then read the "what is costing you speed" line underneath it. If subject motion is binding, a tripod and a stabilised lens will not save the shot — you need a faster shutter, which means a wider aperture or more ISO. If camera shake is binding, support is the cheapest fix available.
  7. Dial in the marked speed the calculator suggests. It always rounds toward the faster marked speed, never the slower one, so the shot stays inside the tolerance you set rather than one stop outside it.
  8. Treat every number here as a planning figure with a wide tolerance. Hand tremor varies enormously between people, postures and states of caffeination, and a runner's hands and feet move several times faster than the runner's centre of mass.

The formula.

t_shake = 2^s / (f × c) · m = f/(u − f) · t_motion = b / (v × m × sin φ) · t = min(t_shake, t_motion)

Work in millimetres and seconds throughout.

Camera shake first:

t_shake = (1 / (f × c)) × 2^s

The 1/(f × c) term is the reciprocal rule: the 35 mm-equivalent focal length in the denominator, the tolerable exposure time in seconds. Its justification is the angular-smear argument — for a fixed hand-tremor angle θ, the displacement on the sensor is f·θ, so the tolerable time falls as 1/f — and nothing more. It is a rule of thumb, not a standard, and it was calibrated for film-era output sizes.

The 2^s term is the part that is formally defined. CIPA DC-X011-2024 §3-1-9 reads: "According to APEX expressions, the difference in TV values is represented in 'stops.' For instance, the difference between shutter speeds of 1/1000 (TV10) and 1/500 seconds (TV9) or that between shutter speeds of 1/125 (TV7) and 1/60 seconds (TV6) accounts for one stop." One stop is one doubling of exposure time, so s stops multiply the tolerable time by 2^s. Three stops turn 1/300 s into 1/37.5 s, a factor of exactly eight.

Subject motion next. The thin-lens transverse magnification of an object at distance u is

m = f / (u − f)

and the image of a subject moving at ground speed v travels across the sensor at v·m·sin φ, where φ is the angle between the direction of travel and the optical axis. Requiring that smear to stay inside an accepted blur diameter b gives

t_motion = b / (v × m × sin φ)

The three offered directions use sin 90° = 1, sin 45° = 0.70711 and sin 15° = 0.25882. There is deliberately no 0° option: a subject moving exactly along the optical axis has no transverse component at all and the tolerable time would be infinite, which is a mathematical artefact rather than photographic advice.

The blur tolerance b is a choice, not a constant. The default 0.03 mm is about five pixels on a 24 MP full-frame sensor with a 5.9 µm pixel pitch. Halving it halves the tolerable exposure time, exactly and linearly — which is the honest reason two shutter-speed calculators can disagree by a stop while both being internally correct.

Finally, the recommendation. In "both" mode it is min(t_shake, t_motion), because a photograph has to satisfy both constraints simultaneously; the other two modes simply report one of them. The marked speed is then the slowest value in the printed dial series — 1/8000, 1/4000, 1/2000, 1/1000, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 s — that is still no slower than the recommendation. Rounding always goes toward the faster speed. Those markings are nominal rather than exact: the true geometric series doubles each time, so a dial marked 1/125 is 1/128 s and one marked 1/60 is 1/64 s. ISO 516:2019 is the standard that fixes shutter markings and their tolerances.

What the model leaves out: rolling-shutter skew, which distorts fast lateral motion rather than blurring it; shutter efficiency, the difference between the marked time and the effective time on a focal-plane shutter; the fact that a running subject's extremities move several times faster than its centre of mass, so a shutter speed that freezes the torso will still smear the hands; and panning, which deliberately trades background sharpness for subject sharpness and inverts the whole calculation.

A worked example.

Example

Youth football on an APS-C body: a 200 mm lens on a 1.5× crop sensor with no stabilisation, a player running 12 mph straight across the frame at 25 m, and a blur tolerance of 0.03 mm. Start with camera shake. The 35 mm-equivalent focal length is 200 × 1.5 = 300 mm, so the reciprocal rule gives t_shake = 1/300 × 2⁰ = 0.0033333333 s, which is 1/300 s. Now subject motion. NIST gives 1 mph = 0.44704 m/s exactly, so 12 mph is 5.36448 m/s, or 5364.48 mm/s. The subject sits at 25 m = 25,000 mm, so the transverse magnification is m = 200 / (25,000 − 200) = 200/24,800 = 1/124 = 0.0080645161. Travelling across the frame, sin φ = sin 90° = 1, so the subject's image sweeps the sensor at 5364.48 × 0.0080645161 = 43.2619 mm/s. Dividing the 0.03 mm tolerance by that gives t_motion = 0.03 / 43.2619 = 3.72/5364.48 = 0.0006934503 s. Its reciprocal is 1442.06, so the calculator reports 1/1442 s. The recommendation is the stricter of the two, min(0.0033333333, 0.0006934503) = 0.0006934503 s, and the marked speed to dial in is 1/2000 s — the slowest printed setting that is still fast enough. The reading is the useful part: hand-holding is not the problem here at all, since 1/300 s would have been plenty; the runner is, by a factor of 4.8. Now change one thing. Give the lens three CIPA stops of stabilisation and switch the dropdown to camera shake only: t_shake becomes 1/300 × 2³ = 8/300 = 0.0266666667 s, which is 1/37.5 s and reports as 1/38 s, snapping to a marked 1/60 s. Three stops is a factor of exactly eight, and it is a real and useful gain — against your hands. Look at the subject-motion line while you do it and you will see it has not moved a hair: still 0.0006934503 s. That is CIPA clause 3-1-2 in practice. The stabilisation rating on the box measures handheld blur correction and explicitly excludes motion blur correction, so no amount of it will freeze the runner. The only levers that will are a faster shutter, a wider aperture, more ISO, waiting for the player to run toward you rather than across you, or accepting more blur.

limiting Factorboth
speed Unitmph
motion Directionacross
subject Distance25
subject Speed12
crop Factor1.5
acceptable Blur Mm0.03
stabilization Stops0
focal Length200

Frequently asked questions.

Does image stabilisation let me use a slower shutter speed for a moving subject?
No — not one bit, and this is the single most expensive misunderstanding in the topic. CIPA DC-X011-2024, the standard behind the stops figure printed on lens boxes, says so directly in clause 3-1-2: image stabilisation "can be further classified into handheld blur correction and motion blur correction", and the standard "excludes applications for motion blur correction". Stabilisation cancels the camera's angular motion, which is your hands. It has no information about what the subject is doing and no mechanism to cancel it. A five-stop lens photographing a running child at 1/60 s produces a rock-steady picture of a blurred child. This calculator prints both limits in every mode precisely so you can see when stabilisation stops helping: if the subject-motion line is the shorter one, more stops buys you nothing.
Is the reciprocal rule (1/focal length) actually correct?
It is a rule of thumb with a real physical skeleton and no standing as a standard, and this page is explicit about that. The skeleton is sound: for a fixed hand-tremor angle θ, the image displacement on the sensor is f·θ, so the tolerable exposure time genuinely does scale as 1/f. What the rule fixes arbitrarily is θ, and it fixes it at a value calibrated for 35 mm film printed at modest sizes and viewed at arm's length. Two things have changed since. Crop sensors mean you must use the 35 mm-equivalent focal length, which is why this calculator asks for the crop factor separately. And high-resolution sensors inspected at 100 % on a monitor apply a far stricter viewing standard than a 6×4 print ever did — many photographers working on 45 MP bodies use 1/(2f) or even 1/(3f) as their working rule. Tremor also varies enormously between individuals, postures and how much coffee you have had. Treat the shake number as an order of magnitude, not a guarantee.
Why does the direction the subject is travelling change the answer so much?
Because only the component of motion perpendicular to the lens axis smears the image. Motion straight toward the camera changes the subject's size slightly during the exposure but does not sweep its image across the sensor. The calculator multiplies the ground speed by sin φ, so the across-the-frame case (90°) uses the full speed, the diagonal case (45°) uses 0.707 of it — a gain of exactly half a stop — and the nearly head-on case (15°) uses just 0.259 of it, a gain of just under two stops. That is why sports photographers position themselves so subjects run toward the lens wherever the sport allows it, and why a bird banking across the frame is dramatically harder to freeze than the same bird approaching. There is deliberately no 0° option: a subject travelling exactly along the optical axis has no transverse component at all, and the tolerable exposure time would be infinite, which is arithmetic rather than advice.
What blur tolerance should I enter?
It depends entirely on how the picture will be looked at, which is why the calculator asks rather than deciding for you. The default 0.03 mm is about five pixels on a 24 MP full-frame sensor with a 5.9 µm pixel pitch, and it corresponds roughly to the classic circle-of-confusion convention for full-frame — a sensible choice for prints and normal screen viewing. Use 0.02 mm, about three pixels, if you inspect files at 100 % or print large. Use 0.01 mm if you are pixel-peeping a high-resolution body and want blur below the level of a single-pixel smear. On a smaller sensor the same number of pixels is a smaller distance, so scale it down by the crop factor if you want to keep the same per-pixel standard. The relationship is exactly linear: halve the tolerance and you halve the exposure time, one stop. This one field is the main reason two shutter-speed calculators can disagree by a stop while both being internally consistent.
Why does the suggested dial setting sometimes look a stop faster than the recommendation?
Because it always rounds toward the faster marked speed, never the slower one. The marked series on a camera dial goes 1/8000, 1/4000, 1/2000, 1/1000, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2 and then whole seconds; the calculator returns the slowest of those that is still at least as fast as the requirement. A recommendation of 1/1442 s therefore becomes 1/2000 s, not 1/1000 s, because 1/1000 s would be slower than needed and would break the tolerance you set. It is also worth knowing that those printed numbers are approximations. The true full-stop series doubles each step, so a shutter marked 1/125 is really 1/128 s and one marked 1/60 is 1/64 s — the round numbers are a legacy of engraving legibility. ISO 516:2019 is the standard that specifies shutter markings and the tolerances a real shutter is allowed to hold them to.
How does this differ from the exposure value calculator?
They answer different questions and share no inputs. This page is a blur calculation: given how long your lens is, how fast your subject moves and how much smear you will tolerate, how short must the exposure be? Nothing you enter here is a light level, and nothing it returns is an EV. The exposure value page is a photometry calculation: given an aperture, a shutter time and an ISO, how much light does the frame collect, and what other combinations are equivalent? In practice you use them together, and in that order. Come here first to find the shutter speed the picture demands, then take that number to the exposure calculator to find the aperture and ISO that will make it a correct exposure. If the answer is an ISO you are not willing to use, come back here and change something you can control — get closer, shoot the subject approaching rather than crossing, or loosen the blur tolerance.
What about panning shots, where I deliberately blur the background?
Panning inverts the calculation and this page does not model it. When you track a subject smoothly with the lens, you are trying to zero the relative motion between the camera and the subject, so the subject-motion limit ceases to apply in the form used here and is replaced by how accurately you can match the subject's angular rate. What blurs instead is the background, deliberately, and you want the shutter slow rather than fast — typically 1/30 to 1/125 s for a car, slower for a cyclist. The camera-shake limit does not apply cleanly either, since a panning motion is exactly the kind of large deliberate movement that stabilisation systems have a dedicated panning mode to ignore on one axis. Use the numbers here only for the case where the camera is essentially still and the subject is not.
Why does a macro subject need such a fast shutter even when it is barely moving?
Because magnification, not speed, is what turns ground motion into image motion. The transverse magnification m = f/(u − f) is tiny at normal distances — a 200 mm lens at 25 m gives 1/124, so the subject's image moves 124 times slower than the subject does — but at macro working distances it approaches and exceeds 1, meaning the image moves at least as fast as the subject. An insect creeping at 5 mm per second at 1:1 magnification sweeps its image across the sensor at 5 mm per second too, which blows through a 0.03 mm tolerance in six milliseconds. That is 1/167 s to freeze something you would describe as barely moving. Add in that any breeze moves the subject far faster than it crawls, and the reason macro photographers reach for flash rather than a fast lens becomes obvious: a short flash duration freezes motion in a way no shutter speed economically can.

References& sources.

  1. [1]Camera & Imaging Products Association (2024). CIPA DC-X011-2024, Measurement and Description Method for Image Stabilization Performance of Digital Cameras (Optical System). Clause 3-1-9 defines the stop used by this calculator's 2^s term: 'According to APEX expressions, the difference in TV values is represented in "stops." For instance, the difference between shutter speeds of 1/1000 (TV10) and 1/500 seconds (TV9) or that between shutter speeds of 1/125 (TV7) and 1/60 seconds (TV6) accounts for one stop.' Clause 3-1-2 is the basis for the page's statement that stabilisation does nothing for a moving subject: 'while image stabilization can be further classified into handheld blur correction and motion blur correction, this standard excludes applications for motion blur correction.'
  2. [2]International Organization for Standardization (2019). ISO 516:2019, Camera shutters — Timing — General definition and mechanical shutter measurements. The standard that governs shutter markings and their tolerances: it 'specifies the exposure-time markings for all types of shutters and their tolerances' and covers mechanical shutters that 'affect the control of exposure, motion-stopping ability and synchronization with a photoflash light source'. Cited for the marked dial series and for the fact that printed markings are nominal.
  3. [3]National Institute of Standards and Technology. NIST Special Publication 811, Appendix B.9, Factors for Units Listed Alphabetically. Gives 'mile per hour (mi/h) → meter per second (m/s): 4.4704 E-01' as an exact factor, and 'inch (in) → meter (m): 2.54 E-02' exactly. These are the speed conversions used by the mph and km/h options.
  4. [4]Nikon Corporation. D7500 Online Manual, Technical Notes — Specifications. Source for the crop-factor guidance in the input hint: the DX format sensor is '23.5 × 15.7 mm CMOS' and 'focal length in 35 mm [135] format equivalent to approx. 1.5× that of lenses with FX format angle of view'.
  5. [5]International Organization for Standardization (2019). ISO 12232:2019, Photography — Digital still cameras — Determination of exposure index, ISO speed ratings, standard output sensitivity, and recommended exposure index. Cited for the ISO-speed framework behind the page's advice to buy shutter speed with sensitivity when the subject-motion limit is the binding constraint.

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